Subsequently, the teacher will introduce the rest of the notes, and here again, you should try to make yourself aware of where (in terms of frequency) they are, with respect to "Sa".įirst, since our music is expressed with respect to an arbitrarily chosen sruti note (eg: the tambura or sruti box), the student should first LISTEN to the tambura or sruti box, closeġ Sarali varisai Raga: Mayamalavagowla (15th Melakartha Ragam). Then try to sing these two constant notes tunefully, making an effort to understand the relationship between the frequencies that "Sa" and "Pa" are sung at. Then listen to it carefully and try to register the notes (sa - pa - sa) in your mind. It is equally vital to learn to tune either of these instruments from one's master. You can seek your guru's help in determining your ideal pitch, which enables you to traverse at least two octaves (from Paa in the lower octave to Paa in the higher octave) comfortable over a period of time. and the fifth note from it, which is "Paa". ![]() The first step is to have a tanpura or shruti box, which will provide the basic note "Sa". Talam: Adi Notation Courtesy: Rani, and Chitraveena Ravi Kiran's book Notes from Chitra Veena Ravi Kiran's book (with some additions): Getting Started: Sustaining Notes - KARVAI. Sarali varisai Raga: Mayamalavagowla (15th Melakartha Ragam). Example: biology Search Sarali varisai - Shivkumar
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